$16 in advance / $20 day of concert



Jonathan Edwards

Warm as summer sunshine, real as the truth, intimate as a long overdue visit between old friends … such is a Jonathan Edwards concert. Four decades into a stellar career of uncompromising musical integrity, the man simply delivers, night after night – songs of passion, songs of insight, songs of humor, all rendered in that pure and powerful tenor which, like fine wine, has only grown sweeter with age.

This is one veteran performer who is neither grizzled nor nostalgic. These days Jonathan Edwards, a vital and relevant artist in today’s folk and Americana scenes, is most likely to be found on the road with longtime accompanist Stuart Schulman on bass, piano, fiddle, and vocals and Taylor Armerding, formerly of Northern Lights, on mandolin and high-tenor vocals. “I’ve been … doing what I do best, which is playing live in front of people. I’ve been concentrating on that and loving it,” he says.

An artist who measures his success by his ability to attract and take good care of an audience for four decades, Jonathan maintains that it is the feedback he receives after his shows that keeps him going. “It is really gratifying to hear [someone say], ‘Your stuff has meant a lot to me over the years.’”

The “stuff” he’s referring to is a highly respected repertoire that includes such classics as Honky Tonk Stardust Cowboy, Sometimes, One Day Closer, Don’t Cry Blue, Emma, Everybody Knows Her, Athens County, and everyone’s favorite ode to putting a good buzz on, Shanty. And then, of course, there’s the anthemic Sunshine (Go Away Today), that fierce proclamation of protest and independence that resonated with thousands and thousands of frustrated and angry young men and women when it was first released in 1971. Almost 40 years later, at show after show, the song continues to be embraced by faithful followers and new fans alike.

Since 1971, Jonathan has released 15 albums, including Blue Ridge, his standard-setting collaboration with bluegrass favorites the Seldom Scene, and Little Hands, his collection of children’s songs, which was honored with a National Library Association award.

As for album #16, Jonathan says, “Young people that are getting back to the land and trying to get off the power grid encourage me. My next studio album will reflect some of those themes.” With that in mind, it’s no surprise that he closes each night’s show with these heartfelt lyrics:

Calling all dreamers and optimistic fools
Don't let go of your dream, make it now, make it all come true
If you believe in a brighter day
I know we can find our way
To this island, in a starry ocean
Poetry in motion, this island earth
A beautiful oasis for all human races
The only home that we know, this island earth.

Find more info at: www.jonathanedwards.net

Aztec Two-Step

In 1972, Aztec Two-Step, whose name comes from a poem by beat poet Lawrence Ferlinghetti, burst upon the scene with their self-titled debut album on Elektra Records. Since then Rex Fowler and Neal Shulman have spent a lifetime making music together as the folk/rock duo Aztec Two-Step. Their first album, along with their subsequent albums for RCA Records were staples of progressive FM and college radio and helped to bring the music of the 1960s into the 70s.

As their recording career continued, so did the critical acclaim. In 1987 Living in America, received the New York Music Award for Best Folk Album and was named in Billboard’s year-end critic’s poll. They have been praised in countless major US newspapers and magazines, including Rolling Stone, and have appeared on numerous TV and radio shows, such as the David Letterman Show, the King Biscuit Flour Hour, and World Café Live. In 1999 they were the subjects of the documentary, No Hit Wonder, which was aired on PBS.

Of their 2005 release, Days of Horses, the Boston Globe said “fans of the duo’s harmony-driven tunes and easygoing acoustic guitar riffs will recognize their James Taylor-meets-Simon & Garfunkel sound. What’s new is the mood. This album sits back on its haunches as Rex Fowler and Neal Shulman look back wistfully at American pop culture and their own ride through it.”

2007 saw several hallmark events for the duo. In June, Aztec Two-Step performed The Persecution and Restoration of Dean Moriarty (On The Road) at a very special Lowell Celebrates Kerouac Festival as the author’s hometown marked the 50th anniversary of the publication of On The Road. Also In June 2007, Real Simple, a popular national lifestyle magazine, named Aztec Two-Step one of the top five classic folk albums joining work by Bob Dylan, Judy Collins, Tom Rush and Phil Ochs. The article cites the duo as “surpass[ing] Simon and Garfunkel for exquisite harmonies, musicianship and emotion.”

Rhino Records released Forever Changing-The Golden Age of Elektra Records 1963-1973, a five-CD box set that tells the story of this landmark record label and the music that defined an era. The collection includes Aztec Two-Step’s The Persecution and Restoration of Dean Moriarty (On The Road).

Live at TCAN, a new DVD was released, featuring a 35th anniversary concert at The Center for Arts in Natick, Massachusetts, a performance of the self-titled debut album in its entirety, plus other fan-favorites from Aztec Two-Step’s long and distinguished career.

Aztec Two-Step continues to impress audiences with intelligent songwriting, dazzling acoustic lead guitar, and inspiring harmonies. They are one of acoustic music’s most popular and enduring acts.

Find more info at: www.aztectwostep.com